There is just so much information to be found on the Net, John (NU9N) has a great site, with really valuable technical information, also Larry W3OZ, and many, many others

I received some great information from Marty (KA7GKN), thanks very much, also thanks to Don (K4QKY), Jay (N2MGA), Mike (WZ5Q), and others, your help is greatly appreciated !

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Behringer B2 Pro - Studio Microphone

ULTRAGAIN PRO MIC2200

2-Channel Tube Microphone Preamplifier/Line Driver/DI Box

ULTRAFEX PRO EX3200

2-Channel Multiband Sound Enhancement System

Mike WZ5Q - As a starting point, try the settings below

EX3200 - Channel 1

Shift set to ultra low (Light on)
Bass Processor set to "2"
Mode set to soft (light off)
Auto NR set to In (light on)
NR Sensitivity set to where the LED Display just barely goes to full scale on voice peaks
Tune set to 3.3
Process set to Exciter
High Mix set to "1" ( be careful with this as it will introduce "Tearing" into the audio if set to high)
Solo set to Off (light is out)
IN set to IN (light is on)

EX3200 - Channel 2

Shift set to ultra low (Light on)
Bass Processor set to "3"
Mode set to soft (light off)
Auto NR set to In (light on)
NR Sensitivity set to where the LED Display just barely goes to full scale on voice peaks
Tune set to 5
Process set to Enhancer
High Mix set to "1" ( be carefully with this as it will introduce "Tearing" into the audio if set to high)
Solo set to Off (light is out)
IN set to IN (light is on)

Surround set to In (light is on) Surround control set to "1-2"

The EX3200 is inserted between the left and right channels of the DEQ2496. This allows one to run the PEQ, and Expander in the left channel, and the DEQ, or Compressor in the right channel

Note: The best place to put the EX3200 is in between the EQ and the Compressor

You will have a Balanced line coming into the Input of channel 1 of the EX3200 (from the DEQ2496) using the typical TRS 1/4 inch connector or XLR utilizing the 3ea wires (Signal +, Signal -, and Shield)

The Output of channel 1 of the EX3200 goes into the Input of Channel 2 of the EX3200 using Unbalanced cable with the Mono 1/4 inch connector utilizing 2ea wires signal + and Shield. *THE WIRES ARE NOT REVERSED!!* (you can use TRS connectors if you short the Signal - and Shield together on both ends of the cable thereby making it a unbalanced)

You will have a Balanced line going out of the Output of channel 2 of the EX3200 (going back into the DEQ2496) using the typical TRS 1/4 inch connector or XLR utilizing the 3ea wires (Signal +, Signal -, and Shield)

ULTRACURVE PRO DEQ2496

See NU9N's and K4QKY's websites for settings and tips

Ultra High-Precision Digital 24-Bit/96 kHz EQ/RTA Mastering Processor

VIRTUALIZER PRO DSP2024P

Digital Multi-Engine 24-Bit Multi-Effects Processor

Greg (W5UDX) DSP2024P Settings

Effect - PLATING (Shows "PLAT" on display)
Edit A - PRE.D = 0.010
Edit B - DECA = 2.358
Edit C - DAMP = 10
Edit D - SIZE = 33
Edit E - SHV.D = 32
Edit F - DIFF = 20
EQ Low - BASS = -10
EQ Hi - TREB = +16
MIX = usually around 8-15

Antonio (CT2HVF) Settings

Effect - STUDIO (Shows "STUD" on display)
Edit A - PRE.D = 0.043
Edit B - DECA = 0.930
Edit C - DAMP = 11
Edit D - LCUT = 20
Edit E - SHV.D = 0
Edit F - SHVF = 457
EQ Low - BASS = +5
EQ Hi - TREB = +8
MIX = usually around 10-15

KENWOOD TS-870S

Have a Kenwood TS870S, which is a good out the box audio platform

Main rig used for audio these days is the Flex Radio Systems SDR-1000, which provides a really good audio platform, probably the best rig out there for audio

Older Shack Pix

1997

2004

Latest Shack Pic - March 2007

LINE TO MICHROPHONE LEVELING

Recording and Playback with the Kenwood TS870
Using a Computer and Soundcard

To enable one the make recordings, as well as to be able re-transmit such using a Computer and Soundcard, one will need to fabricate an interface which will connect the TS780 to the Computer Soundcard

Interface

Audio transformers are incorporated which provide complete isolation between the Transceiver and the Computer. I use in-expensive Stancor Audio Transformers (TTPC-2) which are 1:1 (600:600 ohm)

The Soundcard is connected to the TS870 via the Accessory Plug on the back of the Transceiver. The following diagram (Fig 1) shows the pin-outs and audio cabling connections (see page 7 of your TS870 Instruction Manual for ACC2 pinouts)

Parts List

Two 600:600 ohm audio transformers (Stancor TTPC-2)
1K ½W Resister
1K linear Pot and knob
Push Button or Foot Switch to key TS870 to TX Recording (Playback)
Suitable box to house interface
Screened audio cable to make connection between Interface and Soundcard
Two 3,5mm Stereo phono plugs
One 13 Pin Din Plug

Audio Leveling

Audio levels need to be properly set in your Recording Software, and one must make sure that the audio is not over-driven

Audio levels must also be setup in the TS870 Menu’s. Menu number 20 and 21 are used to set these parameters

Menu Setup (see page 25 of your TS870 Instruction Manual)

Menu # 21 (PKT IN) controls the audio input level (this level can be set within the TS870 from 0 – 2)

Menu # 20 (PKT OUT) controls the audio output level (this level can be set within the TS870 from 0 -9)

Finally the attenuator in the Interface (Fig 1) can be used to “fine tune” the output from the TS870 to the Soundcard Line Out

Keying the TS870 for Playback

The only way to “key” and re-transmit the recorded audio is to use the PTT keying line in the ACC2 plug. Pins 9 and 8 are used for this purpose. Pin 8 is + and Pin 9 is ground. I use a push button connected to these pin-outs, a foot switch could also be used

The audio paths used in ACC2 are completed independent from the front panel controls, so the TX Button will not work, hence the need to key the rig from Pins 8 and 9

Recording Software

Any audio software with record capabilities can be used for recording and playback. I personally use CoolEdit Pro, which also has a built-in graphic equalizer, which one should use to EQ playbacks. Take a look at NU9N’s Site for detailed information with regards equalizing playbacks. Make sure that your Recording Level does not exceed 0 dB. Likewise, make sure that your Playback level does not exceed 0dB, and that you do not have to much ALC movement on the Playbacks

One tip with reagrds Playbacks, make sure that your Processor/Compressor is OFF

Back off on the RF Gain when making Recordings, cuts out the band noise